The Distaff Side, 1958. A limited edition of 200 numbered copies, this being #138. Separate signatures written by different colleagues and printed at different presses: the Thistle Press;Peter Pauper Press; Jane Grabhorn; Spiral Press; Marchbanks Press; Pickering Press. Marbled boards... More
![BRINGYNG IN THE BORESHEED: CHRISTMAS FESTIVITIES AT ROWFANT HALL MCMLVIII A. D. [BRINGING IN THE BORES HEAD]](/pictures/thumb/251436.JPG?v=1500736575)
Cleveland: The Rowfant Club, 1958. Original Sewn Wrappers. Limited Edition, numbered 8 of 250 copies. 12 pages sewn into heavy printed wrappers; a stunning print job in red and black in a gothic type designed by Goudy; among the most... More
Prescott AZ: Wolfe Publishing Co., 1989. Octavo. Hard Cover. Half leather with cloth covered boards; gilt edge to text block; limited edition # 274 of 1500 copies. Very light spotting to cloth covered boards, no markings in text; illustrated throughout. More
East Aurora, NY: The Society of the Philistines; The Roycroft Printing Shop, 1907. Hard Cover. Periodicals bound together, June 1907 - November 1907. No pencil or ink markings in texts. Tan suede spine and blue paper-covered boards, gilt lettering. Front... More
Philip Duschnes, 1938. Tied Wrappers. One of five hundred copies printed for the Friends of Philip & Fanny Duschnes at the Walpole Printing Office, Mount Vernon, New York in December 1938. Folded grey wrappers tied with cord and with discoloration... More
Easthampton: Cheloniidae Press, [1982]. Limited Edition. Signed by Robinson below the colophon. One of twenty-six lettered copies. A set of ten hand-watercolored etchings by Alan James Robinson, printed at the Cheloniidae Press in Easthampton, Massachusetts. Twenty-six copies of each print... More
Easthampton: Cheloniidae Press, 1988. Illustrated by: Alan James Robinson; Calligraphy by Suzanne Moore. Folio. Quarter Leather. Limited State Proof Edition; numbered “III” of 5 copies. Signed by Robinson below the colophon. Quarter bound in celadon morocco by Claudia Cohen with... More
London: The Nonesuch Press, 1935. Hard Cover. Limited Edition. In the Press’s original green buckram; #408 of 750 copies designed by Francis Meynell and printed on Van Gelder paper. Spine faded, else fine. More
Newtown, PA: Bird & Bull Press, 2000. Alexander Wilson’s long narrative poem detailing the natural beauty encountered on his trek from Philadelphia to Niagara Falls. #102 of 150 copies printed at the Bird & Bull Press. Quarter brown morocco over... More
The New York Public Library, 1947. Hard Cover. Limited Edition. This being publication No. 1 of the Arents Tobacco Collection, and one of 500 copies Designed by Bruce Rogers and printed by A. Colish. In the publisher’s paper-covered boards with... More
San Francisco: Grabhorn-Hoyem, 1970. Signed. A poem by Allen Ginsberg with three drawings by Robert LaVigne, one of 200 copies printed by Robert Grabhorn and Andrew Hoyem in 1970. An oblong folio, in striped paper boards backed in linen with... More
The Sarabande Press, 1984. Folio. Soft Cover. Limited Edition, number “m” of 26 copies “press-lettered and specially bound”. Signed by Clampitt, G. G. Laurens and designer Joe Marc Freedman. Fabulously bound in hand-made stiff paper wrappers; a gorgeous copy housed... More
New York: Sarabande Press, 1983. Illustrated by: Marsha Eva Gold. Folio. Disbound. Limited Edition, numbered 18 of 33. Signed by Clampitt, Gold and the designer and printer Joe Marc Freedman on the colophon. A beautifully designed accordion binding on handmade... More
New Rochelle, New York: The Elston Press, 1902. One of 240 copies, with woodcut title border. Linen spine over paper-covered boards, with paper title label. More
London: The Two-Horse Press, 1965. Hard Cover. First Edition. Quarter green buckram with titling in gilt over yellow Tatsumaki Japenese paper-covered boards, illustrated with wood engravings by George Mackley, with a matching portfolio housing a suite of 11 additional wood... More
Omaha, Nebraska: Abattoir Editions, 1984. Hard Cover. First Edition. With two woodcuts by James A. Crowley. Limited to 250 numbered copies of which this is #43. Very slight musty odor. In tan cloth with white wrar-around paper spine label. More
Gloucestershire: Whittington Press, 1977. Hard Cover. Limited Edition. Signed. #108 of 200 copies of a signed limited edition, with an additional gift inscription from Ayling. More
London: London Review Bookshop, 2007. Hard Cover. Limited Edition. Signed. #77/100 copies. Signed by author at top of title page and dated at bottom. No pencil or ink markings in text. One-fourth blue leather and paper covered boards. Light stains... More
Santa Barbara: Capricorn Press, 1972. Hard Cover. Limited Edition. Signed. Numbered 85 of 250 Limited Edition copies, and signed by the author on the limitation page. Printed on Curtis Rag from Trump Medieval type and handbound by Earle Gray. Endsheets... More
London: Saint Catherine Foundation, 2004. Full Leather. Finely bound in a rich brown morocco by the well-regarded book artist Monique Lallier and signed with her stamp at the bottom of the rear board. With gilt rule to the perimeter of... More
East Aurora: Roycrofters, 1903. A most attractive copy of this Roycroft Edition, in gray suede with yapp edges, and silk moire pastedowns. There is a previous owner gift inscription from the year of publication. More
Los Angeles: Dawson’s Book Shop, 1978. One of 200 copies printed for Dawson’s Book Shop at the Bird & Bull Press, this being copy #49, signed by master marbler Christopher Weimann and founder of the Bird and Bull Press Henry... More
Venitiis [Venice]: Aldus Iunio [Aldus. Manutius. Paulli, F. Aldi N.], 1570. Octavo. Vellum Binding. Full contemporary limp vellum binding with manuscript title on the spine and the bottom edge of the textblock; some soiling to the covers; ties are missing;... More
Janus Press, 1982. A portfolio of 19 typographical samples, plus a folded lithographed leaf listing the contents. With handcolored linocuts; offset lithography sewn and stitched; relief etching, woodcuts, etc.; some but not all signed by the artists. Much of the... More
Paris: Aux Editions du Val de Loire, 1948. Original Wrappers. In sheets, with wrappers housed in publishers chemise, with a floral patterned slipcase. #217 of 875, one of 650 printed on Marais vellum. Engravings by Pierre Gandon. Light creasing to... More