Paris: Theodore Lefevre. A French prayer card printed by Theodore Lefevre, in Paris in the second half of the 19th century. A chromolithograph “Sacred Head Sore Wounded” of Jesus, surrounded with embossed paper doily. Prayer to the Virgin stamped on... More
Berlin: Widder-Verlag, 1924. Handsomely produced and illustrated with color and black and white images of tobacco labels. This is #373 of 500 copies. More
Genf: Nagel Verlag, 1982. Hard Cover. Illustrated; No pencil or ink markings in text. Text in German. Grey cloth binding. Very light edgewear to dustjacket; NOT Ex-Library. More
Hard Cover. About 120 pages of glossy color photographs of Tibetan wall paintings and about 100 pages of text in Japanese; published in 1981 or prior as there is an old invoice for the book dated 1981 laid in;. More
Sacramento, CA: Creative Arts League, 1977. Soft Cover. Nice clean copy; not an ex-library. More
San Francisco, CA: California’s Magazine Company, 1916. Quarto. Suede. Volume I only. Hardcover suede binding with moderate to heavy edgewear to extremities. Boards are stained and slightly soiled. Chips on spine. Digital pictures of book available upon request; there is... More
Emory, VA: Emory & Henry College, 2003. Stapled Pamphlet. No markings in text; illustrated. More
Aberdeen: The Central Council for the Care of Churches, 1959. Soft Cover. There is a previous owner name written neatly at the top of the front endpaper; there are no other marks. Illustrated in black and white. More
Rethymnon Centre for Contemporary Art, 2002. Pictorial Boards. A clean copy with no marks of any kind. More
Leipzig: Verlag von E. A. Seemann. Quarto. Hard Cover. A stout quarto binding in tan buckram, with titling in black. 104 pp. of text in German. Followed by 100 color plates mounted on dark gray art paper, preceded with tissue... More
Leipzig: Verlag von E. A. Seemann. Quarto. Hard Cover. A stout quarto binding in tan buckram, with titling in black. 92 pp. [105-197] of text in German. Followed by 100 color plates mounted on dark gray art paper, preceded with... More
Edinburgh: Mundell and Son, 1804. From John Potter’s ARCHAEOLOGIA GRAECA, More
![[EDITION DELUXE] LONGFELLOW PORTFOLIO, BEING A SELECTION OF SEVENTY-FIVE ARTIST PROOFS FROM THE ORIGINAL WOOD-CUTS ILLUSTRATING THE NEW SUBSCRIPTION EDITION OF LONGFELLOW’S POETICAL WORKS](/pictures/thumb/264786.JPG?v=1500737095)
Houghton Mifflin, 1881. Three Quarters Leather. A beautiful copy of the Longfellow Portfolio [Deluxe Edition] bound in three quarter morocco over green pebbled cloth. All edges gilt. All of the numbered plates are present, but none have the artist’s pencilled... More
San Francisco: Black Vine Press, 1956. Original Sewn Wrappers. A monograph on the life and work of Eric Gill. First printed as a broadsheet for the Eric Gill exhibition at the Stanford Library, November 7, 1954. Bound in the original... More
Taipei Fine Arts Museum, 1994. Quarto. Soft Cover. Light bumping to extremities; no markings of any kind. More
Gouvernement du Quebec, 1984. Folio. Hard Cover. Binding sound with light soiling to boards. Dust jacket protected in a new mylar cover. no markings in text. More
A finely illuminated double-sided leaf from a 15th century Book of Hours. Thirteen lines in Latin, with richly decorated and embellished capitals in blue, red and gold. A beautifully penned border with leaves in gold, and tiny flowers in blue... More
Leipzig: Verlag E. A. Seemann. Quarto. Soft Cover. German text. With eight rather attractive color reproductions of his work. Tipped in (some minor chipping to a few of the pages, not affecting the plates in any way. String-tied, in brown... More
Hazlitt, Gooden & Fox, 2002. Soft Cover. More
Fullerton, Ca: California State University, 1979. Soft Cover. ; No Marks of Any Kind. More
Roanoke Museum of Fine Arts, 1981. Stapled Pamphlet. 52pp. Black and white images from an exhibition at the Roanoke Museum of Fine Art, which ran from November 6, 1981 through January 10, 1982. More
Edinburgh: Mundell and Son, 1804. From John Potter’s ARCHAEOLOGIA GRAECA, More
Editions de Varenne, 1951. Soft Cover. A portfolio with text in French, and ten color plates. More
Edinburgh: Mundell and Son, 1804. From John Potter’s ARCHAEOLOGIA GRAECA, More
Anderson Gallery, 2005. Soft Cover. No marks of any kind. More