Philadelphia: Thomas T. Ash, 1835. 32mo. Full Leather. A gift book from 1835. The Bouquet, or Spirit of the English Annuals. Frontispiece. Lacking endpapers; scattered foxing; personal inscription on the recto of the frontispiece. Embossed calf, with a chipped leather... More
Boston: Saxton and Kelt, 1845. 32mo. Hard Cover. Third Edition. A copy of Gems of Sacred Poetry, a collection of religious poems from various authors. Blindstamp on the front endpaper and faint smudging to some pages. Shelfwear; minor loss to... More
New York: Charles Scribner and Company, 1871. In the publisher’s green cloth with beveled edges; with elaborate decorations and titling in gold; title page printed in red and in black; with engraved frontispiece and in-text illustrations throughout; all edges gilt... More
Toronto | Buffalo | London: University of Toronto Press, [2004]. Hard Cover. A clean copy. Dustjacket is clean and bright. More
London: Bell and Daldy, 1866. Full Leather. New Edition, with Additions. Works by the popular 19th century poet, who began her careers writing for Dickens’ Household Words and All the Year Round.~Legends and Lyrics was first published in 1858, a.... More
Dayton, VA: Ruebush, Kieffer & Co., Printers, 1881. First Edition. Published by Ruebush-Kieffer, the firm founded by the grandson of Joseph Funk, the great Mennonite printer. The volume of verse by Kieffer is full of local references, poems such as... More
London: Lawton Gilliver, 1729. Full Leather. Second Edition. One of a number of variant printings of this Second Edition of Pope’s great satirical poem. This with the frontispiece showing an owl on the stack of books on the donkey’s saddle... More
London: T. Bensley; for F. J. du Roveray, 1798. Full Leather. Pope’s comic poem, first printed anonymously in 1711 -- a lock of hair cut off without permission causes a breach between two aristocratic families. It is, as the Preface... More
Charlottesville: The University of Virginia Press, 1991. Hard Cover. First Edition. A crisp copy with some light sunning to the top of the binding. No marks of any kind. More
London: The Nonesuch Press, 1935. Hard Cover. Limited Edition. In the Press’s original green buckram; #408 of 750 copies designed by Francis Meynell and printed on Van Gelder paper. Spine faded, else fine. More
Newtown, PA: Bird & Bull Press, 2000. Alexander Wilson’s long narrative poem detailing the natural beauty encountered on his trek from Philadelphia to Niagara Falls. #102 of 150 copies printed at the Bird & Bull Press. Quarter brown morocco over... More
New York: The Viking Press, [1980]. Soft Cover. Proof Copy. Publisher’s proof copy in ochre printed wrappers; there are no marks in the book. Mylar cover has some loss to the top of the rear panel. More
Cambridge, Massachusetts: The Belknap Press | Harvard University Press, 1981. Hard Cover. Autograph letter signed by the editor, Edgar F. Shannon, Jr. laid in, along with other relevant correspondences. A clean copy of Volume I only. Blindstamp on the title... More
New York: Frederick A. Stokes Company, [1920]. Hard Cover. A clean copy, complete in three volumes. lettering and decorations stamped in gilt on the front boards and spine. Lettering on the spine darkened. Some foxing to the endpapers of Vol... More
![POEMS AND BALLADS. [SECOND SERIES.]. Algernon Charles Swinburne.](/pictures/thumb/285085.JPG?v=1538251884)
New York: Hurst & Co., [c. 1889]. Hard Cover. A copy of the Poems and Ballads of Algernon Charles Swinburne. Text in black with a simple red border. Blindstamp on the front endpaper; contemporary owner’s name on the front flyleaf;... More
NY: Alfred A. Knopf, 1987. Hard Cover. First Edition. Quite a nice first edition copy with no marks of any kind. Dustjacket is not price-clipped. More
The Sarabande Press, 1984. Folio. Soft Cover. Limited Edition, number “m” of 26 copies “press-lettered and specially bound”. Signed by Clampitt, G. G. Laurens and designer Joe Marc Freedman. Fabulously bound in hand-made stiff paper wrappers; a gorgeous copy housed... More
New York: Sarabande Press, 1983. Illustrated by: Marsha Eva Gold. Folio. Disbound. Limited Edition, numbered 18 of 33. Signed by Clampitt, Gold and the designer and printer Joe Marc Freedman on the colophon. A beautifully designed accordion binding on handmade... More
Berkeley: Oyez, 1973. Octavo. Hard Cover. 1st Edition. Signed by Wyatt on title page. Light rubbing and small closed tear to dust jacket; dust jacket protected in a new mylar cover; pen mark to page forty two otherwise no markings... More
Cambridge, Massachusetts | London, England: Harvard University Press, 2004. Hard Cover. Angelo Poliziano’s Silvae. Text in Latin and English. A clean copy, with no marks of any kind. Near Fine dustjacket. Now protected in a mylar cover. More
Timisoara: Helicon, [1996]. 32mo. Hard Cover. A clean copy. Bound in tan paper covered boards with lettering in brown. Some wear along the extremities of the joints. Text in Romanian. An uncommon book, with only three copies found on OCLC... More
Omaha, Nebraska: Abattoir Editions, 1984. Hard Cover. First Edition. With two woodcuts by James A. Crowley. Limited to 250 numbered copies of which this is #43. Very slight musty odor. In tan cloth with white wrar-around paper spine label. More
London: Constable & Co. Ltd. Illustrated by: Arthur Rackham. Octavo. Three Quarters Leather. With 16 illustrations mounted on gray paper. Rebound in fine binding. As the endpapers are lost, it is not possible to be certain of the edition. (Latimore... More
