THE STORY OF MERLIN AND VIVIEN
London: E. Moxon, Son, and Co., n.d. Quarto. Hard Cover. Early 20th century, with the 1. More
London: E. Moxon, Son, and Co., n.d. Quarto. Hard Cover. Early 20th century, with the 1. More
London: William Heinemann, 1924. A handsome set, in dark red levant, bound by Bayntun of Bath; raised bands with titling stamped in gold; elaborate dentelle turn-ins, marbled endpapers, and all edges gilt. The joints have had some repaired separation (no..... More
San Francisco: Grabhorn-Hoyem, 1970. Signed. A poem by Allen Ginsberg with three drawings by Robert LaVigne, one of 200 copies printed by Robert Grabhorn and Andrew Hoyem in 1970. An oblong folio, in striped paper boards backed in linen with..... More
[1975]. Soft Cover. Starting in 1967, Allen J. Hubin began his passion project: The Armchair Detective, an early mystery fanzine. Eventually TAD would begin publishing random corrections and additions to Ordean Hagen?s posthumous Whodunit (1969), the first major bibliography of..... More
Parma: Franco Maria Ricci, 1972. Hard Cover. Reprint Edition. Text in Italian, printed on blue paper. With colored plates tipped in throughout, of the animals as they were described in Zötl’s bestiary. Aloys Zötl was an Austrian painter, known for..... More
The Sarabande Press, 1984. Folio. Soft Cover. Limited Edition, number “m” of 26 copies “press-lettered and specially bound”. Signed by Clampitt, G. G. Laurens and designer Joe Marc Freedman. Fabulously bound in hand-made stiff paper wrappers; a gorgeous copy housed..... More
New York: Sarabande Press, 1983. Illustrated by: Marsha Eva Gold. Folio. Disbound. Limited Edition, numbered 18 of 33. Signed by Clampitt, Gold and the designer and printer Joe Marc Freedman on the colophon. A beautifully designed accordion binding on handmade..... More
Trenton: D. Fenton & S. Hutchinson, 1815. Full Leather. First Edition. One of the few religious works by Elias Boudinot, the Revolutionary statesman, Congressman, and member of the Constitutional Convention. After his resignation in 1805 from his highly significant political..... More
New Rochelle, New York: The Elston Press, 1902. One of 240 copies, with woodcut title border. Linen spine over paper-covered boards, with paper title label. More
New Britain, Connecticut: Robert E. Massmann, 1970. Miniature. Original Wrappers. Limited, numbered edition. Signed. 2-1/8" x 2-1/4" miniature in wrappers with paper slipcase; Signed by Robert E. Massmann and hand-numbered 51/150; tiny stain on the slipcase label else the fold-out..... More
Cleveland: 1974. Octavo. Hard Cover. 86pp. No markings in text; hardcover cloth binding. More
London: The Two-Horse Press, 1965. Hard Cover. First Edition. Quarter green buckram with titling in gilt over yellow Tatsumaki Japenese paper-covered boards, illustrated with wood engravings by George Mackley, with a matching portfolio housing a suite of 11 additional wood..... More
Boston | New York: Houghton Mifflin Company, 1909. Hard Cover. A very nearly fine copy, still with the publisher’s glassine wrapper. In pale pink paper-covered boards, with a mauve paper spine label letters in gilt. On the pastedown is residue..... More
Paris: Librairie Renouard; H. Laurens, Successeur, 1888. Three Quarters Leather. The first systematic listing of Daumier’s lithograph illustrations, by Arsene Alexandre. Honore Daumier was a French printmaker, caricaturist, painter and sculptor, who focused on social and political aspects of 19c..... More
Omaha, Nebraska: Abattoir Editions, 1984. Hard Cover. First Edition. With two woodcuts by James A. Crowley. Limited to 250 numbered copies of which this is #43. Very slight musty odor. In tan cloth with white wrar-around paper spine label... More
New York: Charles Scribner’s Sons, 1895. Three Quarters Leather. Second Edition. First published as Napoleon Intime in 1893, the English edition was issued in London the following year. This “Second Edition” in English is handsomely bound in three-quarter crimson morocco..... More
Valencia: Joseph de Orga, 1804. Full Leather. First Edition. A clean copy. Bound in tree calf with morocco label and decorative rules stamped in gilt on the spine. Some wear to edges of the spine and corners of the boards..... More
Franklin, NH: The Hillside Press, 1969. Hard Cover. Signed By Editor. #174/250. Plum cloth binding; no markings in text. More
New York: The Grolier Club, 1924. Hard Cover. Printed for the Grolier Club by typographer and printer Frederic Goudy. Boards are soiled and there is some separation at the half-title page, though the binding is secure and holding well Paper-covered..... More
London: Kegan Paul, Trench, Trubner & Co. Illustrated by: Hugh Thompson. Hard Cover. Limited Edition. Limited Edition # 83 of 250 copies (large paper edition); large Octavo; foxing to endpapers; small closed tears to top of spine, but binding still..... More
Gloucestershire: Whittington Press, 1977. Hard Cover. Limited Edition. Signed. #108 of 200 copies of a signed limited edition, with an additional gift inscription from Ayling. More
Easton Press, 1995. Full Leather. Full leather with decorations in gilt; all edges gilt; silk moire endpapers. There are no marks or bookplates in the book. More
Manor Farm, Andoversford: The Whittington Press, 1986. 26 wood-engravings hand-colored by Sylvia Stokeld, bound in a orange silk in the japanese style, with string lacing at the spine with a paper label. In the rear pocket is a single sheet..... More
Kraus Reprint Corp. Hard Cover. Sold as a 2 volume set. Volume I published 1961. Volume II published 1963. Both volumes reprinted by permission of the John Carter Brown Library. No pencil or ink markings in volume I. Scant ink..... More
Leigh-on-Sea, England: F. Lewis, 1980. Hard Cover. Dust jacket soiled with slight closed tears to top; dust jacket price-clipped; dust jacket protected in a mylar cover; no markings in text; digital images can be made available upon request. More