Woodstock, Vermont, U.S.A. The Lilliputter Press, 1960. Illustrated by: Helen B. Herrick. Miniature. Hard Cover. Decorated By Helen B. Herrick; No pencil or ink markings in text. Hardcover miniature cloth binding. ; Not Ex-Libary. More
Dallas: Still Point Press, 1985. Hard Cover. A remembrance of this printer who was sometimes known as the “Texas Gutenberg” or the “Aldus in the Desert” [see Dallas Morning News, March 23, 1986]. Limited to 300 numbered copies, of which... More
Easthampton: Cheloniidae Press, [1982]. Limited Edition. Signed by Robinson below the colophon. One of twenty-six lettered copies. A set of ten hand-watercolored etchings by Alan James Robinson, printed at the Cheloniidae Press in Easthampton, Massachusetts. Twenty-six copies of each print... More
Easthampton: Cheloniidae Press, 1988. Illustrated by: Alan James Robinson; Calligraphy by Suzanne Moore. Folio. Quarter Leather. Limited State Proof Edition; numbered “III” of 5 copies. Signed by Robinson below the colophon. Quarter bound in celadon morocco by Claudia Cohen with... More
New York: James Milller, Publisher, 1880. Quarto. Hard Cover. First Edition. Green boards with black and gold decorations; one plate is bound upside down; an additional copy of that same plate is also present loose (added, we presume, by the... More
London: Coptic Press, 1965. Soft Cover. No pencil or ink markings in text. Wrappers slightly soiled. Some curling at bottom of front and rear covers. Two small stains at bottom of front cover at corner; Not an Ex-Library Copy. More
London: T. Bensley; for F. J. du Roveray, 1798. Full Leather. Pope’s comic poem, first printed anonymously in 1711 -- a lock of hair cut off without permission causes a breach between two aristocratic families. It is, as the Preface... More
London: The Nonesuch Press, 1935. Hard Cover. Limited Edition. In the Press’s original green buckram; #408 of 750 copies designed by Francis Meynell and printed on Van Gelder paper. Spine faded, else fine. More
Newtown, PA: Bird & Bull Press, 2000. Alexander Wilson’s long narrative poem detailing the natural beauty encountered on his trek from Philadelphia to Niagara Falls. #102 of 150 copies printed at the Bird & Bull Press. Quarter brown morocco over... More
Philadelphia: Gebbie & Co., 1889. Three Quarters Leather. Alexandre Dumas Fils’ The Lady with the Camellias, translated into English, with illustrations by Albert Lynch. Collates complete, with ten engraved plates. Half title; title page vignette; additional title page, chromolithographic. Bookplate... More
Julius Hoffmann, 1952. Hard Cover. A clean and unmarked First Edition copy; the dustjacket has a tear the bottom edge of the front panel and is now protected with a new mylar cover. With the publisher’s cardstock sleeve. More
The New York Public Library, 1947. Hard Cover. Limited Edition. This being publication No. 1 of the Arents Tobacco Collection, and one of 500 copies Designed by Bruce Rogers and printed by A. Colish. In the publisher’s paper-covered boards with... More
Paris: P.-A. Chavanne & Cie, 1948. Full Leather. Limited Edition. A beautiful production of symbolist writer Alfred Jarry’s Le Surmale [”The Supermale”]. Printed in green and black, with 19 drypoint etchings by Roger De Valerio. De Valerio is perhaps best..... More
Cranford, N.J. Alfred Penn Babcock, [1946-1947]. Hard Cover. Eleven issues of the humorous Alf’s Cat, specially crafted and printed by Alfred Penn Babcock and others, on miscellaneous paper with their footpress, “Josephine”. Numbers 50-60, bound together in one volume. Cocked..... More
Newark, N.J. Carteret Book Club, 1916. Hard Cover. Limited Edition. One of 275 (CCLXXV) copies printed on rag paper for the Carteret Book Club. A 21 page discussion of the printing of William Morris through Bruce Rogers. Followed by “A... More
London: Darton and Clark, [c. 1842]. 32mo. Full Leather. A clean copy. Textblock is cracked but holding well. Lacking front endpaper. Bound in red morocco with leather onlays, and lettering, decorations, and rules stamped in gilt. All edges gilt. More
London: William Heinemann, 1924. A handsome set, in dark red levant, bound by Bayntun of Bath; raised bands with titling stamped in gold; elaborate dentelle turn-ins, marbled endpapers, and all edges gilt. The joints have had some repaired separation (no... More
Philadelphia: David McKay, n.d. Three Quarters Leather. The McKay edition of The Works of Algernon Charles Swinburne. Previous owner’s name on the front endpaper. Some flaking to the front joint. Two spots of bumping to the fore edge of the..... More
East Aurora: Roycrofters, 1913. Half Leather. Limited Edition. Signed. An attractive Roycrofter’s production, in brown half pigskin over marbled paper-covered boards; the pigskin being embossed in blind in the art nouveau style. The front board of this copy has been..... More
New York: S. W. Green’s Son, Publisher, 1883. Hard Cover. A decorative cloth binding of the period. Printed in red and black, with engraved images scattered throughout. Only a few pages have been filled in with birthday information. The binding..... More
San Francisco: Grabhorn-Hoyem, 1970. Signed. A poem by Allen Ginsberg with three drawings by Robert LaVigne, one of 200 copies printed by Robert Grabhorn and Andrew Hoyem in 1970. An oblong folio, in striped paper boards backed in linen with... More
The Sarabande Press, 1984. Folio. Soft Cover. Limited Edition, number “m” of 26 copies “press-lettered and specially bound”. Signed by Clampitt, G. G. Laurens and designer Joe Marc Freedman. Fabulously bound in hand-made stiff paper wrappers; a gorgeous copy housed..... More
New York: Sarabande Press, 1983. Illustrated by: Marsha Eva Gold. Folio. Disbound. Limited Edition, numbered 18 of 33. Signed by Clampitt, Gold and the designer and printer Joe Marc Freedman on the colophon. A beautifully designed accordion binding on handmade... More
London: C. Arthur Pearson, 1905. Full Leather. Thomas Hughes’ Tom Brown’s School Days, with engraved illustrations by Lancelot Speed. Scattered foxing. Full tree calf, with a red leather label, decorative rules at the perimeter, decoration and lettering on the spine..... More
New Rochelle, New York: The Elston Press, 1902. One of 240 copies, with woodcut title border. Linen spine over paper-covered boards, with paper title label. More
