Paris: Chez Desenne, Imprimeur-Libraire, 1796. Hard Cover. First Edition. Five volume set. 1 new spine label on volume V. Volume 1: Dans Le Nord De L'Europe. No pencil or ink markings in text. Boards scratched, scuffed; corners bumped with leather... More
Worcester: Stanbrook Abbey. A single folded and printed leaf, with a tipped in prayer printed in black, handset in Romanee. A simple and lovely production of a prayer by Aloysius Vincent Phillips. More
New York: E. P. Dutton and Company, 1872. Hard Cover. Summer in Upstate, with rather charming vignette illustrations in the shape of maple leaves; printed on the rectos of each leaf (please, no puns!). An attractive bright copy, with a.... More
Philip Duschnes, 1938. Tied Wrappers. One of five hundred copies printed for the Friends of Philip & Fanny Duschnes at the Walpole Printing Office, Mount Vernon, New York in December 1938. Folded grey wrappers tied with cord and with discoloration... More
Milano: Ulrico Hoepli, 1902. Original Wrappers. First Edition. Nice copy in the original card stock wrappers, which have been repaired at the spine. The dustjacket is present, and has been protected with a new mylar cover. There is some old... More
New York: The Dial Press, Inc., 1935. Illustrated by: Jessie Willcox Smith. Octavo. Hard Cover. Early Reprint. 232pp. Very bright publishers binding in red cloth with pictorial pastedown on the front board and titled in gold on the front cover... More
London: Bell and Daldy, 1866. Full Leather. New Edition, with Additions. Works by the popular 19th century poet, who began her careers writing for Dickens’ Household Words and All the Year Round.~Legends and Lyrics was first published in 1858, a.... More
New York: The Uphill Press, 1966. In black quarter cloth over marbled paper-covered boards. With a slightly chipped glassine wrapper. Limitation is 120 numbered copies; this is an “out of sequence” copy. With two attractive engraved vignettes. More
Kurt S. Adler, Inc., 1978. Miniature. Hard Cover. Illustrated; Miniature book. No pencil or ink markings in text. Red hardcover binding with gilt lettering and pictorial paste-down on front board. Digital pictures of book available upon request; Not Ex-Library. More
Woodstock, Vermont, U.S.A. The Lilliputter Press, 1960. Illustrated by: Helen B. Herrick. Miniature. Hard Cover. Decorated By Helen B. Herrick; No pencil or ink markings in text. Hardcover miniature cloth binding. ; Not Ex-Libary. More
Dallas: Still Point Press, 1985. Hard Cover. A remembrance of this printer who was sometimes known as the “Texas Gutenberg” or the “Aldus in the Desert” [see Dallas Morning News, March 23, 1986]. Limited to 300 numbered copies, of which... More
Easthampton: Cheloniidae Press, [1982]. Limited Edition. Signed by Robinson below the colophon. One of twenty-six lettered copies. A set of ten hand-watercolored etchings by Alan James Robinson, printed at the Cheloniidae Press in Easthampton, Massachusetts. Twenty-six copies of each print... More
Easthampton: Cheloniidae Press, 1988. Illustrated by: Alan James Robinson; Calligraphy by Suzanne Moore. Folio. Quarter Leather. Limited State Proof Edition; numbered “III” of 5 copies. Signed by Robinson below the colophon. Quarter bound in celadon morocco by Claudia Cohen with... More
Boston and New York: Houghton Mifflin Company, 1919. Three Quarters Leather. First two volumes only, of four. Covering Marshall’s life from 1755-1801. Color portrait frontispiece, and additional plates: facsimiles, portraits, and illustrations. Text is reasonably bright. Front joint of Volume..... More
New York: James Milller, Publisher, 1880. Quarto. Hard Cover. First Edition. Green boards with black and gold decorations; one plate is bound upside down; an additional copy of that same plate is also present loose (added, we presume, by the... More
London: Coptic Press, 1965. Soft Cover. No pencil or ink markings in text. Wrappers slightly soiled. Some curling at bottom of front and rear covers. Two small stains at bottom of front cover at corner; Not an Ex-Library Copy. More
London: T. Bensley; for F. J. du Roveray, 1798. Full Leather. Pope’s comic poem, first printed anonymously in 1711 -- a lock of hair cut off without permission causes a breach between two aristocratic families. It is, as the Preface... More
Newtown, PA: Bird & Bull Press, 2000. Alexander Wilson’s long narrative poem detailing the natural beauty encountered on his trek from Philadelphia to Niagara Falls. #102 of 150 copies printed at the Bird & Bull Press. Quarter brown morocco over... More
Owl House Press, 2010. Full Leather. Numbered 52 of 150 copies. A history of the famous revolutionary and Founding Father. With a few reproduction illustrations of portraits. Blue leather with gilt lettering. 4.8 x 4.0 cm. More
Philadelphia: Gebbie & Co., 1889. Three Quarters Leather. Alexandre Dumas Fils’ The Lady with the Camellias, translated into English, with illustrations by Albert Lynch. Collates complete, with ten engraved plates. Half title; title page vignette; additional title page, chromolithographic. Bookplate... More
Chicago: Lakeside Press | R. R. Donnelley & Sons, 1931. Hard Cover. Limited Edition. Signed. Limited Edition of Alfred Bonnardot’s The Mirror of the Parisian Bibliophile, translated by Theodore Wesley Koch. Numbered 326 of 500 copies, and signed by the... More
The New York Public Library, 1947. Hard Cover. Limited Edition. This being publication No. 1 of the Arents Tobacco Collection, and one of 500 copies Designed by Bruce Rogers and printed by A. Colish. In the publisher’s paper-covered boards with... More
Paris: P.-A. Chavanne & Cie, 1948. Full Leather. Limited Edition. A beautiful production of symbolist writer Alfred Jarry’s Le Surmale [”The Supermale”]. Printed in green and black, with 19 drypoint etchings by Roger De Valerio. De Valerio is perhaps best..... More
Cranford, N.J. Alfred Penn Babcock, [1946-1947]. Hard Cover. Eleven issues of the humorous Alf’s Cat, specially crafted and printed by Alfred Penn Babcock and others, on miscellaneous paper with their footpress, “Josephine”. Numbers 50-60, bound together in one volume. Cocked..... More
London: William Heinemann, 1924. A handsome set, in dark red levant, bound by Bayntun of Bath; raised bands with titling stamped in gold; elaborate dentelle turn-ins, marbled endpapers, and all edges gilt. The joints have had some repaired separation (no... More