New York: The Grolier Club, 2005. Hard Cover. Catalog issued for the exhibition held at the Grolier Club, Boston College, and others, from 26 January - 11 March 2005, and later. Red cloth with paper labels on the front board..... More
![PROSPECTUS ONLY] MALTA. Frederick W. Ryan | Signor Vittorio Boron](/pictures/thumb/286112.JPG?v=1591217757)
London: Adam and Charles Black. The prospectus (only) for A. and C. Black’s 1910 edition of Malta. Printed paper folder, with a sample plate laid in. Order blank printed on the fold. Rear panel with listings of “Black’s Beautiful Books”..... More
Offenbach a.M. W. Gerstung, [1925]. In ivory raw silk, printed with a botanical and letters in red; in a taupe paper-covered slipcase which has a small amount of surface loss and is lightly stained. Illustrated by Wilhelm Harwerth. This is..... More
Easthampton, Mass. Warwick Press, 1987. Soft Cover. One of a limited edition of 175 books designed, illustrated , printed and hand bound by Carol J. Blinn The illustrations are Carol Blinn’s charming watercolors as “Frieda feels that watercoloring is boring..... More
![SCHILLERS SÄMMTLICHE WERKE IN ZWOLF BÄNDEN. [SCHILLERS COLLECTED WORKS IN TWELVE VOLUMES]...](/pictures/thumb/285984.JPG?v=1591217717)
Stuttgart und Tübingen: J. G. Cotta, 1847. 24mo. Half Leather. The Collected Works of Schiller, complete in twelve volumes. Text in German, with Fraktur typeface. Portrait frontispiece in Volume I. With no marks of any kind. Surface loss to the..... More
New York | London: White & Allen, 1889. Hard Cover. In the publisher’s green cloth with slightly faded titling and decorations in green and in gold. Illustrated throughout with quite attractive sepia chromolithographs, and a few in green. There is..... More
London: Fanfrolico Press, 1927. Issued with a limitation of 650 Copies numbered and signed by the translator, or which this is Copy No. 213. Half-leather over marbled boards. The boards are lightly rubbed and the spine is sunned. There is..... More
[Poynette, Wisconsin]: Bieler Press, 1976. Number 79 of 100 press-numbered copies in handmade blue and pink wrappers. Signed by the author; with a brightly colored serigraph signed by the artist Cathie Ruggie. “Demon Letting & Night Blooming were taken from..... More
Boston, Massachusetts: Riverside Press for Houghton Mifflin, 1904. Hard Cover. Limited Edition. Designed by Bruce Rogers. In the original glazed parchment over boards, #246 of 325 numbered copies. There is a very small spot of darkening to the front joint..... More
New York: Grafton Press, 1902. Limited Edition. No. 29 of “one hundred and one rubricated~copies on Whatman paper”. Printed by Theodore L. DeVinne & Co. With “The Noones Preestes Tale” glossary laid in. With engraved frontispiece portrait and woodcuts throughout..... More
San Francisco, California: [Black Vine Press], 1939. Quarter Leather. Limited Edition. The first book of the Black Vine Press. It has been said that the publisher destroyed most copies (see David McGee, Fine Printing and Bookbinding from San Francisco, p...... More
London: Walter Scott, 1888. 24mo. Three Quarters Leather. From the Canterbury Poets series, The Poetical Works of George Crabbe, edited by Edward Lamplough. Bookplate of Daniel Henry Holmes, founder of the D. H. Holmes department store, on the front pastedown..... More
London: Printed for Frederick Etchells and Hugh Macdonald by the Shakespeare Head Press, 1926. Octavo. Vellum Binding. Limited Edition, numbered 40 of 50 printed on Bachelor’s Kelmscott paper; this from a larger limitation of 450. A lovely edition in full..... More
London: Constable & Co., 1913. Half Leather. This copy rebound as fine binding, in brown half-calf over tan cloth; raised bands with decorations and lettering in gilt to the spine; marbled endpapers with all edges marbled as well. The front..... More
London: Richard Bentley, 1860. The correspondence of this Georgian statesman, who was a friend to Lord Nelson as well as King George III. In a handsome binding by Bickers, London in full crimson calf with raised bands, elaborate decorations in..... More
New York: Albert & Charles Boni, 1924. Hard Cover. First Edition. A previous owner bookplate is on the front pastedown; otherwise a clean First Edition copy with no marks. In the publisher’s paper-covered boards, backed in black cloth. Wear to..... More
Edinburgh: The Tragara Press, 1939. In chocolate brown wrappers with a printed paper label. Limited to 125 numbered copies, of which this is no. 76. More
Kansas City: Ariel Books | Andrews McMeel, [1996]. Miniature. Hard Cover. Miniature book: 6 x 4.7 cm. A clean copy detailing the history and amusing anecdotes of gardens and gardening. More
![STORIES FROM THE PENTAMERONE [Edition de Luxe]. Giambattista Basile |, Warwick Goble](/pictures/thumb/257809.JPG?v=1591215767)
London: Macmillan and Co, 1911. Illustrated by: Warwick Goble. Quarto. Vellum Binding. Limited Edition, one of 150 copies. Full vellum Limited Edition with a neat vellum reback with original backstrip laid down; boards and backstrip are a scuffed and soiled;..... More
Philadelphia: J. P. Horn, 1928. Full Leather. Finely bound copy, in full burgundy morocco with decorations in and lettering in gilt; raised bands; morocco turn-ins double-ruled at the perimeters; morocco doublures with ornaments in the corners; silk moire endpapers. Volume..... More
[Bristol]: The Lilliput Press, 1985. Full Leather. Limited Edition. #45 of 200 numbered copies, Signed by the printer Allan Armstrong. Illustrated with 21 remarkably beautiful hand-colored illustrations of English costumes, and a silhoutte frontispiece. A tiny (1” x 1 3/8”)..... More
New York | London | Chicago | Paris | Washington: Brentano’s. 64mo. Full Leather. A copy of The Beauties of Goethe’s Faust, being the romantic and more popular “Faust, Part One” written in dramatic form. Text in English, black with..... More
![FINE BINDINGS] GOETHE’S FEMALE CHARACTERS. [GOETHE GALLERY]. Goethe | William Kaulbach](/pictures/thumb/292485.jpg?v=1604878879)
New York: George Kirchner, [c. 1867]. Full Leather. A handsome binding in full brown morocco, with borders and decorations stamped in blind, and titling in gold. Marbled endpapers, with some minor surface loss near the bottom of the front gutter..... More
New Haven: Yale Univ Press, 1993. Hard Cover. Previous owner's nameplate attached to ffep. No pencil or ink markings in text. White cloth binding. Dustjacket sound. DJ protected with Mylar Cover. More
