New York: The Citadel Press, [1957]. Hard Cover. First American Edition. First American Edition of this new translation. Previous owner’s namestamp on the front endpaper. Black cloth. Some sunning to the spine of the Very Good dustjacket. With the evocative..... More
New York: The Citadel Press, [1957]. Hard Cover. First American Edition. First American Edition of this new translation. Previous owner’s namestamp on the front endpaper. Black cloth. Some sunning to the spine of the Very Good dustjacket. With the evocative..... More
New York: Dodd, Mead and Co., 1927. Hard Cover. First Edition. A novel of period African-American life, with quite heavy doses of “dialect” throughout. There is a name on the front pastedown and an inscription -- “to a gentleman from..... More
New York: C. Scribner and Co., 1869. Early Printing. Green embossed cloth with gilt titling; boards have some light spotting. With six full-page illustrations. A nice tight binding. More
London: Jonathan Cape, 1935. Hard Cover. First Edition. An early and uncommon book by this Welsh born, Scottish-reared writer. Linklater has the distinction of having fought in both World Wars. A clean First Edition copy with no marks of any..... More
Baltimore, Maryland, U.S.A. Enoch Pratt Free Library, 1973. Soft Cover. A clean copy with no underlining or such marks in the book. There is a previous owner bookplate on the verso of the front cover which has offset on the..... More
Leipzig: Bernhard Tauchnitz, [1934]. Soft Cover. Tauchnitz Edition of the Collection of British and American Authors, Vol. 4935. With the bookselling label of The Anglo-American Bookshop opposite Shepheard’s Hotel in Cairo. Previous owner note at the end “Fever Hospital, Cairo..... More
![LITERATURE] THE OLD MAN AND THE SEA. Ernest Hemingway](/pictures/thumb/292712.jpg?v=1611333063)
New York: Charles Scribner’s Sons, 1952. Hard Cover. First Edition. An attractive First Edition copy of the last work of fiction published in Hemingway’s lifetime, and the winner of the Pulitzer Prize. With the Scribner’s “A” and Scribner’s imprint on..... More
Leipzig; Paris; Bologna: The Albatross, [1937]. Soft Cover. From the colophon: this edition is composed in Baskerville type cut by the Monotype corporation. The paper is made by the Bautzen Paper Mill. The Printing and the binding are the work..... More
New York: The John Day Company, [1930]. Hard Cover. First Edition. Numeral ‘9’ inked on the front endpaper, bookplate on the front pastedown, and reinforcement to the gutter of the front endpaper. Black cloth with yellow lettering. More
New York: George Gottsberger Peck, 1897. Hard Cover. A stamp on the title page -- “Sold by the Mercantile Library, New York” and “Fifth Avenue Branch”. No other marks of any kind. Binding is slightly cocked. More
![BROADSIDE; SIGNED] IN DEFENSE OF MYSELF. Erskine Caldwell](/pictures/thumb/291650.jpg?v=1606179194)
Palaemon Press, 1982. First Edition. Signed. Early 20th century, with the 1. More
London: Martin Secker, 1935. Hard Cover. Third Printing. Sunning to the spine and edges of the boards; binding slightly cocked. Red cloth with black lettering. More
Grosset & Dunlap. Hard Cover. A previous owner stamp on the front endpaper; otherwise clean copy with no marks. The dustjacket has some shelfwear, and a 1 1/2” piece lost at the bottom of the spine. More
London: Chapman and Hall, 1962. Hard Cover. New Edition. First revised edition of Waugh's third novel with a new preface statement by Waugh. Dark blue binding with gilt lettering; coated dust jacket has modest toning and is not price clipped..... More
London: Chapman and Hall, 1962. Hard Cover. New and Revised Edition. A revised edition reset of Waugh's novel with “emendations” requested by the first publisher restored and with a new preface statement by Waugh. Dark blue binding with gilt lettering;..... More
London: Chapman and Hall, 1964. Hard Cover. New Edition. First revised edition of Waugh's novel “on the theme of the betrayed romantic” with a new preface statement by Waugh. Dark blue binding with gilt lettering; coated dust jacket has traces..... More
Roma: Arti Grafiche Agostini, 1956. Original Wrappers. First Edition. Truly a pristine copy of ANTOLOGIA, the translations into Italian of selected poems from A lume Spento, Personae, Ripostes, Lustra by Salvatore Quasimodo, Margherita Guidacci; Guiseppe Ungaretti, Leone Traverso; Piero Jahier..... More
New York: Rudd & Carleton, 1858. Half Leather. A attractive copy of this historical novel by the Italian writer and politician Francisco Guerazzi. Bound in blue morocco leather over marbled boards, with marbled endpapers. More
New York: Charles Scribner’s Sons, [1941]. Hard Cover. Fifth Printing. With the Scribner’s ‘E’ on the copyright page, denoting the fifth printing. Slight toning to the endpapers only. Slight chips and tears to the edges of the textblock, and sunning..... More
New York: Charles Scribner’s Sons, 1920. Hard Cover. Second Printing. The second printing of Fitzgerald’s debut novel. There were 3.025 copies of this second printing in April of 1920, the same month as the First Edition. There is a pencilled..... More
Washington, D.C. NCR/Microcard Editions, 1972. Hard Cover. First Edition. Quite a nice copy, lacking the publisher’s slipcase. There are no ownership or other marks in the book. This First Edition limited to 1000 copies, of which this is #647... More
Macon: Mercer University Press, 2007. Hard Cover. First Edition. Pristine First Edition copy, Signed with a personal inscription on the half-title page. More
New York: Signet Books | New American Library, 1967. The first paperback printing of Flannery O’Connor’s collection of remarkable short stories. A bright copy, with little wear. There is a slight amount of slant to the spine. There are no..... More
