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London: Published and printed variously by C. Bathurst, C. Davis, C. Hitch and L. Hawes, J. Hodges, R. and J. Dodsley, W. Bowyer, L. Davis C. Reymers, W. Johnston, T. Davies, R. Davis, H. Woodfall, W. Strahan, J. Rivington, W. Owens, R. Baldwin, T. Longman, 1755-1768.
Quarto. Full Leather. First Edition Thus. Volume I: , 8, 43, xviii, 184, , viii, 4, 286; Volume II: , 231, , 176, (restarting at 157)-182; Volume III: , vi, iii, 38 [inserted half title] 39-191, , 253; Volume IV: , 318, , ii, 237; Volume V: , 258, , 144 (printer error in pagination skipping to) 153-232; Volume VI:  210, , iii, 218; Volume VII: [lacking half title], iii-viii, 230, iv, 49, 58-221; Volume VIII: xxiii, 278, vii, 196, 195-279, publishers advertisement on verso; Volume X: xxxi, 288; Volume XI: , viii, 322; Volume XII: viii, 295; Volume XIII: viii, 320. This is the first of the important Hawkesworth editions, lacking Volume IX and the supplementary Volume XIV which were published in 1775 and 1779 respectively, the last of the volumes printed. Given the nearly 25-year span over which the printing took place it is remarkably difficult to find sets of this edition complete. Volumes I-VI (1755); VII (1763-4); VIII (1765); X-XI (1766); XII-XIII (1768); [lacking Volumes IX (1775) and XIV (1779)]. Full bound in contemporary mottled calf with morocco title and volume labels (through numbered I-XII) with some chipping and loss. 19th century rebacks to some volumes; more recently, damage to spines and boards have been repaired; though there is cracking and tenderness to some spines, they are now relatively stable. All volumes offered are from the First Quarto Edition except the Letters X & XI which appear to be a reprint dated the same year as the First Edition. Volume X states “New Edition,” and both X & XI have a variant collation from what Teerink suggests; both appear complete. All volumes complete but for Volume VII which is lacking a half title. All 26 full-page copperplate engravings plus 4 pages of Cantata are present as called for by Teerink. Notably, the same engravings were used for the octavo editions. Only the quarto edition has a large frame around the image to make it congruous to the page size. This copy belonged to Sir John Frederick, Baronet of Burwood House and bears his very tasteful engraved bookplate in most volumes. (Teerink 87).
Very Good binding.